This workshop will introduce you to the fundamentals of Corel Painter, and I'll be the use of Painter 2017. I'll additionally information you via my portray ways and procedure.
The workshop is meant for all ability ranges. The brushes I exploit are default brushes that I've tweaked moderately, and I additionally uses tradition brushes from different artists comparable to Dan Milligan, Craig Mullins and Jaime Jones. Those are Photoshop brushes that I've introduced into Painter the use of its import function. Let's get going!
01. Regulate the settings
Some of the essential stuff you must do ahead of portray is to regulate a few of Painter's settings: click on 'Edit > Personal tastes > Basic'. At the Basic tab I test Create Backup on Save. This may increasingly create an extra backup document when you revel in a crash or come to a decision to revert to an older model of your paintings.
At the Interface tab you’ll configure the Cursor Sort; I set it to Enhanced brush ghost. I identify a darker interface by the use of the Colour Theme possibility, and modify Default View Mode to Unmarried File View, which eliminates the extra scroll bar on the backside. At the Efficiency tab, I set the collection of processor cores utilized by Painter. I'd advise leaving the Undo ranges at their default environment, even though.
02. Set a color profile
The default Colour Profile I exploit for my paintings is RGB IEC61966-2.1. I’ve my displays calibrated the use of third-party , however I all the time save my paintings on this default profile. This implies my recordsdata may also be opened in numerous systems with out noticeable adjustments within the unique color values. That is essential, particularly for those who ship your recordsdata in your purchasers or export them for the internet throughout more than a few units.
03. Customize your workspace
Painter allows you to save your interface structure, settings, brushes and paper textures library as a Workspace. It may be accessed from 'Window > Workspace', the place you’ll Create New, Delete, Import or Export your Workspace and percentage it between units or with different artists. You’ll additionally save your layouts and turn when essential.
Home windows and toolbars may also be moved and repositioned; I favor to take away the bars and menus I don't use steadily, however which you’ll open the use of shortcuts. My core gear are the Colour wheel, Colour Set Libraries, Layers and Channels and Reference Symbol window, with my brushes and settings on best, leaving a big house to paintings on.
04. Arrange the canvas
For this workshop I've determined to do a portrait, so I'm going to make use of A3 measurement and 300ppi answer. If you desire to paintings on a smaller-sized canvas, you’ll all the time pass A4 or A5, and decrease the answer to 72ppi. The smaller document measurement will swimsuit posting on-line.
Within the Record menu you’ll additionally make a choice the color of the canvas and the paper texture. I'll get started in greyscale, which I'll develop into color later the use of a glazing-like methodology. For this, it's very best first of all a easy white canvas, with none gradients or coloration of colors. I in finding it's more straightforward to construct mild and shadows the use of greys.
05. Produce tough sketches
I've discovered that the best way to throw my uncooked concepts down directly to paper is via developing fast sketches or thumbnails. Whether or not you do idea paintings, illustrations or storyboarding, the way is identical. I all the time get started with easy sketches, and like operating with line – simply developing hints of what I keep in mind. I don't pass into main points as a result of they belong within the portray procedure, which follows.
Believe those sketches as small copies of what you'll have for your ultimate portray. The Painter brush I exploit is named Actual 6B Cushy Pencil Grainy – it interacts with the paper texture to provide the traces a extra herbal glance. I additionally turn on the Tilt serve as so it's more straightforward for me to modify between skinny and extensive traces, similar to a standard pencil would do.
06. Pass giant
After I decide on a personality that I need to push additional I take the thumbnail and position it within the Reference window. This is a useful gizmo, which can be utilized both for references or selecting colors. The aim of this step is to color the portrait as shut as imaginable to the unique thought and composition, even if adjustments are imaginable additional down the street, in fact.
Running rapid and tough at this level allows me to handle the freshness and dynamism of the portray. I'm the use of a large brush and a grainy paper texture for blockading the primary shapes of what will be a portrait of a pirate with an overly fantastic beard.
07. Get started in greyscale
I'm no longer all that assured when combining colors in a particular palette. However I like greyscale, black and white: it's sufficient to create a just right vary of distinction and specific my concepts. I imagine that a just right greyscale portray will provide you with the versatility to make adjustments – and for those who paintings within the recreation or movie trade then adjustments are inevitable! This way allows me to experiment with colors as a lot an I need as soon as the overall design is fastened.
08. Observe paper texture and brushes
In Corel Painter, the feel of brush strokes comes from the comb interacting with the feel of the canvas. I will be able to simply transfer between the default and any personalized textures the use of the Paper libraries or Paper Menu (ctrl+nine). The brushes I exploit on this workshop are in keeping with the Pastel brushes class. They're customised to fit my portray taste, but in addition have two essential options: they expose the feel in keeping with the pen force; they usually mix colors completely.
Subsequent web page: Discover ways to upload color and refine your portrait
09. Building up the determine
I block the elemental shapes of the face and outfit with very extensive strokes, including spots right here and there, and defining the pirate's facial options. I additionally set the temper and lights, letting the feel and brush strokes assist with the ones little glad injuries.
At this level I'm seeking to keep in the course of the gray spectrum; I by no means use 100 consistent with cent white or black. It does glance a bit of flat, however that is simply step one: it's the basis on which I'm development on. I create new layers on every occasion I'm proud of the end result – this allows me to make adjustments if next paintings doesn't relatively pass to devise.
10. Stay on rendering… however don't overdo it
That is nonetheless the sketching section, so I proceed operating unfastened and experimenting. I exploit the Undo serve as so much, in search of that best stroke. I upload a bit of extra element to portions of the portrait which can be focal issues – the face and beard – and go away the remaining as much as the creativeness of the viewer (his hat and coat).
I all the time believe a vertical line going via the point of interest and position all of the detailing there, whilst I go away the perimeters tough and unfinished. Consider, the portray is completed when you make a decision it's completed.
11. Discover virtual glazing
Let me give an explanation for a bit of concerning the virtual glazing methodology. The entire paintings is finished in greyscale with consideration to values. Afterwards I exploit layers and other mixing modes – Multiply, Overlay, Colour, Cushy Mild and so forth – so as to add color on best. In different phrases, I'm colouring the picture.
First, I flatten all of the layers. Then, the use of the Proper colours device (make a choice 'Results > Tonal Regulate > Proper colours') I make a choice the pink channel and modify the curve till I reach some reddish/brown values.
12. Experiment with colors
I create a Multiply layer and lay down some colors. And right here's why I eliminate the greys: when beginning to upload colors, your pastel brush will pick out up and mix probably the most colors from the underpainting. And also you don't need to combine gray and get muddy colors. I exploit an overly desaturated delicate inexperienced color as the bottom, which combines with the pink, developing some attention-grabbing results. Some portions of the face – just like the nostril, cheeks and ears – want further color to make the face come out of the canvas.
13. Refine the picture
As soon as I’ve the elemental colors down and I'm proud of the end result, I create a default layer on best and get started portray. I exploit the similar Oil Pastel brush for some onerous edges and My Chunky Pastel brush for smoothing and mixing. I'm seeking to stay probably the most unique strokes that I really like whilst refining the picture, including distinction and main points.
I check out no longer to select the colors from the portray, however moderately from the color wheel, differently issues will get muddy. I additionally experiment with other paper textures at this level and other brushes: a smoother texture for some portions of the face, bristle brushes for the hair, and so forth.
14. Make some ultimate touches
I stay on rendering till I'm glad, turning layers off and on to test that I'm at the proper trail and no longer overworking the picture. I reserve the overall best layer for mixing some portions of the portray and detailing others. After I suppose I'm achieved, I generally resize the picture – on this case it's 18 consistent with cent of its unique measurement – then sharpen it in order that the main points and textures will come out, and do a little color and distinction corrections. The gear may also be discovered via settling on 'Results > Tonal Regulate > Brightness/Distinction' (ctrl+shift+B) or 'Results > Center of attention > Sharpen'. One ultimate tip: all the time stay the unique document in case you make a decision to print it.