Italian Cistercian Architecture Through The Lens of Federico Scarchilli


1 Italian Cistercian Architecture Through The Lens of Federico Scarchilli Architecture Abbazia di Fossanova

In his newest photographic assortment, Federico Scarchilli captures Cistercian order within the type of Abbazia di Fossanova, Casamari, and Valvisciolo. Easy and utilitarian, Cistercian structure displays the transition between the Romanesque and Gothic classes. All the way through this time, many non secular government felt over the top ornamentation used to be a distraction to religious research.

2 Italian Cistercian Architecture Through The Lens of Federico Scarchilli Architecture Abbazia di Fossanova

Abbazia di Fossanova

Consecrated in 1208, Abbazia di Fossanova is thought of as by means of many to be one of the most perfect examples of Cistercian structure. The abbey is cruciform with square-ends. In moderation carved capitals line the nave which frames the adored rose window.

5 Italian Cistercian Architecture Through The Lens of Federico Scarchilli Architecture Abbazia di Fossanova

Abbazia di Casamari 

Abbazia di Casamari is incessantly in comparison to Fossanova. A double arched access ends up in gardened cloisters which the church itself is offered from. The abbey’s plan is of true basilica shape whole with a central nave and two aisles.

11 Italian Cistercian Architecture Through The Lens of Federico Scarchilli Architecture Abbazia di Casamari
12 Italian Cistercian Architecture Through The Lens of Federico Scarchilli Architecture Abbazia di Casamari
9 Italian Cistercian Architecture Through The Lens of Federico Scarchilli Architecture Abbazia di Casamari
8 Italian Cistercian Architecture Through The Lens of Federico Scarchilli Architecture Abbazia di Casamari
10 Italian Cistercian Architecture Through The Lens of Federico Scarchilli Architecture Abbazia di Casamari

Abbazia di Valvisciolo

Abbazia di Valvisciolo additionally has a nave and two aisles however on the finish of the north nave is the Chapel of Saint Laurence. The Chapel is decorated with “il Pomarancio,” painted frescoes by means of Niccolò Circignani. Within the oblong apse, open arches are supported by means of stout pilasters.

13 Italian Cistercian Architecture Through The Lens of Federico Scarchilli Architecture Abbazia di Valvisciolo
6 Italian Cistercian Architecture Through The Lens of Federico Scarchilli Architecture Abbazia di Valvisciolo
4 Italian Cistercian Architecture Through The Lens of Federico Scarchilli Architecture Abbazia di Valvisciolo

c9qY5gRERGs Italian Cistercian Architecture Through The Lens of Federico Scarchilli Architecture

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