Spotlight: SANAA

Grace_Farms_SANAA_1208_(c)_Dean_Kaufman Spotlight: SANAA Architecture Grace Farms / SANAA. Image © Dean Kaufman

Founded in 1995 by means of architects Kazuyo Sejima (born 29 October 1956) and Ryue Nishizawa (born 7 February 1966), SANAA is world-renowned for its white, mild structures grounded within the architects’ Japanese cultural origins. Despite the white exteriors, their structure is a ways from modernist; the consistent incorporation of ambiguity and doubt in SANAA’s structures is refreshing and playful, taking the reflective houses of glass and brightness of white to a brand new stage.

SANAA_portrait Spotlight: SANAA Architecture Courtesy of SANAA

Before founding SANAA, Sejima graduated with a Masters Degree in structure from Japan Women’s University in 1981, occurring to paintings at Toyo Ito and Associates prior to organising Kazuyo Sejima and Associates in 1987. Sejima used to be therefore named the Japan Institute of Architects’ Young Architect of the Year in 1992. Nishizawa used to be employed to paintings at Kazyuo Sejima and Associates after graduating from Yokohama National University in 1990, and in combination they based SANAA in 1995. Two years later, Nishizawa based Ryue Nishizawa and Associates, and as such the architects describe SANAA as being made up of three companies, coming in combination to talk about and critique concepts.

julien_lanoo Spotlight: SANAA Architecture Louvre Lens / SANAA. Image © Julien Lanoo

The two architects had been the second one to win the Pritzker Prize as a duo, in 2010. Capturing what SANAA’s structure represents, the Pritzker jury mentioned that “they discover like few others the outstanding houses of area, lightness, transparency and materiality to create a delicate synthesis.” Sejima has additionally commented at the company’s constant use of the colour white as a strategy to keep away from a hierarchy of their structure, bringing mild all over as an alternative of being intensified in sure areas. Their democratic diffusion and movement of sunshine additionally displays on their goal to create emotions of continuity and group in public areas, obvious in Grace Farms, which gained the Mies Crown Hall Americas Prize for 2014/2015.

copyright_laurian_ghinitoiu_sanaa_new_museum_(1_of_30) Spotlight: SANAA Architecture New Museum / SANAA. Image © Laurian Ghinitoiu

This layered translucence and unclear obstacles between areas can also be observed in lots of in their well-known works, together with the Louvre-Lens Museum, finished in 2012; the New Museum of Contemporary Art in New York, finished in 2007; and the 21st Century Museum of Contemporary Art in Kanazawa, Japan. These public spaces additionally exhibit SANAA’s talent to build areas that individuals can experience in combination, whilst nonetheless participating in person techniques.

iwan_baan Spotlight: SANAA Architecture The 2009 Serpentine Gallery Pavilion / SANAA. Image © Iwan Baan

Check out extra finished works by means of SANAA in addition to the person companies of Sejima and Nishizawa within the thumbnails beneath, in addition to extra protection at the company after the ones:

Pritzker Ceremony / SANAA

SANAA’s Grace Farms Wins the 2014/2015 Mies Crown Hall Americas Prize

Kazuyo Sejima Explains the Influence of Light and the Color White in SANAA’s Work

Iwan Baan on Light and the Louvre Lens

Cloud-Shaped Pavilion is SANAA’s Latest Work in Naoshima

Kazuyo Sejima’s Sumida Hokusai Museum in Tokyo Photographed by means of Laurian Ghinitoiu

Video: Louvre-Lens / SANAA

SANAA’s Zollverein School of Management and Design Photographed by means of Laurian Ghinitoiu

The Berlage Archive: Kazuyo Sejima (2002)

Watch SANAA’s Grace Farms Come to Life on this Time Lapse

Video: Shibaura House by means of Kazuyo Sejima

Video: Teshima Art Museum / Office of Ryue Nishizawa

SANAA Selected to Design Hungary’s New National Gallery – Ludwig Museum

How Chilean Architects Are Helping Realize Ryue Nishizawa’s Curving Concrete Cliffside House

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