Within the interesting Vox video essay, editor Phil Edwards posits the query as “Why such a lot of sitcoms glance the similar“. In reaction, he explains the historical past of 3 digicam mild which used to be advanced via German filmmaker Karl Freund, who got here to america from Germany after running on such iconic movies as The Final Giggle, The Golem and City. After a couple of horror movies, Freund started running at the sitcom I Love Lucy and additional advanced the speculation of 3 digicam sitcom lights, perfecting its use in entrance of a reside tv target market, one way that will be reproduced for sitcoms made many years later.
Karl Freund used to be the genius cinematographer in the back of City, the silent movie vintage. However then he designed the set for I Love Lucy – the primary of the multicam, laugh-track heavy sitcoms. Lately, they appear bland, nevertheless it wasn’t at all times that approach. However on the time, Freund had a excellent explanation why to take on the problem. Those lights ways are nonetheless in use as of late on sitcoms like Pals, the Large Bang Idea, and different multi-camera hits. What seems generic to our eyes used to be, at one time, the results of an artist who made the unattainable glance simple.
Ever surprise why such a lot of sitcoms glance the similar? There’s genius at paintings. https://t.co/wbwomgo3yX
— Phil Edwards (@PhilEdwardsInc) June five, 2018
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